Psychedelic Folk (Radio One Show) 4pm - 6pm
—- Introduction —-
Psychedelic folk is a wide category of acoustic song forms that capture a dream-like, 'spaced-out', whimsical, haunting, mystical and melancholy aesthetics . Artists achieve this through a variety of different methods and approaches, such as studio effects, tunings (including detuned instruments), affected vocal styles and discordant melodies. Psychedelic Folk off-sprinted from psychedelic rock albums in 1967, with groups such as ‘Love’ and ‘The Doors’. Most notably ‘The End’ by the doors is responsible for the opening of this genre.
1967 —The End - The Doors // The Doors (11:34)
Elektra
Psychedelic Rock
1967 —Mabye the People Would Be the Times or Between Clark and Hildalre - Love // Forever Changes (3:34)
No Label
Psychedelic Rock, Psychedelic Pop, Psychedelic Folk
—- Psychedelic Singer Songwriter—-
In 1969 and 1970, Artists started adding psychedelic elements into a traditional slow an singer-songwriter format . Most notably in this format are father of Jeff Buckley: Tim Buckley, Syd Barrett — the frontman of Pink Floyd — and Linda Perhacs. These artists expressed slow and melancholic anecdotes about love, by layering guitars, subduing vocal recordings to create a disorienting and intimately expresses sadness.
1969 — Buzzin’ Fly - Tim Buckley // Happy Sad (6:00)
Elektra
Singer-Songwriter, Psychedelic Folk
1970 —Terrapin - Syd Barrett // The Madcap Laughs (5:00)
Harvest
Psychedelic Rock, Singer-Songwriter, Psychedelic Folk
1970 — Hey, Who Really Cares - Linda Perhacs // Parallelograms (4:32)
No Label
Singer-Songwriter, Psychedelic Folk
—- International Psychedelic Folk—-
Between 1970 and 1975, Psychedelic Folk breached international boarders. In 1970, Caribbean artist ‘Exuma’ released a Caribbean interpretation of folk music that incorporated raw and traditional instruments usually used in spiritual jazz. Though from London, Exuma experimented with unorthodox instruments and vocal layering akin to styles used tribes in their record ‘first utterance’, essentially inventing the genres of ‘Freak Folk’ and ‘Avant Folk’ that would be adapted by artists like Joanna Newsom. Ze Ramalho should also held expand the traditional instruments that would be used to more jazzy avenue for a psychedelic Brazillian folk experience.
1970 —You Don’t Know What’s Going On - Exuma // Exuma (3:27)
Mercury
Caribbean Folk Music, Psychedelic Folk
1971 — The Herald - Comus // First Utterance (11:35)
Dawn Records
Freak Folk, Psychedelic Folk, Progressive Folk, Avant-Folk
1975 — Trilha de Sumé - Lula Cortes, Zé Ramalho // Paêbirú (6:30)
Solar
Psychedelic Folk, Brazilian Folk Music
—- Rebirth of Psychedelic Folk —-
Psychedelic Folk tracks had a 20 year absebce, due to the rise of New Wave, Post Punk and Art Pop in the 1980’s. In the mid 90’s Psychedelic Folk songs began to emerge again in singles from Post Punk and Indie Rock records. The examples I’ve singed out are the tracks ‘Noble Experiment’ by by the Thinking Fellers Union Local 282 and ‘Where You’ll Find Me Know’ by the famous Neutral Milk Hotel. Over the 20 year span, however music recording technology developed significantly. Most notably Psychedelic Folk now included more distorted guitar cords and Artists could more strenuously compose their sounds to create a sometimes cold, isolated or hypnotic effect.
1994 —Noble Experiment - Thinking Fellers Union Local 282 // Strangers from the Universe (3:31)
Matador
Indie Rock, Noise Rock, Art Rock, Art Punk
1996 —Where You’ll Find Me Know - Neutral Milk Hotel // On Avery Island (4:04)
Merge
Indie Rock, Psychedelic Folk, Lo-Fi, Folk, Indie Folk
—-The Microphones—-
Between 2000 and 2003, ‘The Microphones’, otherwise known as ‘Phil Elverum’, released three albums: It Was Hot, We Stayed in the Water, The Glow pt.2 and Mount Erie. These records perfected the ‘Psychedelic Folk’ sound. Particularly on ‘the glow pt.2’, The Microphones experience is explosive, intimate and hypnotic. To create this effect, Elevrum would several months in the mountains alone, immersed in his natural environment. At times records feel like your in his cabin with subtle creaks, natural field recordings and traditional raw instruments, that are combined with heavily layered and distorted guitars to create an often transcendental listening experience. Phil typically writes his lyrics as metaphorical anecdotes where he describes the beauty of the natural world and relates it to his emotional exctacies, including his desperate love, loneliness and his despondent relationship with the world.
2000 — The Pull - The Microphones // It Was Hot, We Stayed in the Water (4:53)
K Records
Lo-Fi, Psychedelic Folk, Indie Folk
2001 — I Want Wind to Blow - The Microphones // The Glow Pt. 2 (5:32)
K, P.W. Lever Um & Sunt Ltd.
Lo-Fi, Indie Folk, Psychedelic Folk
2003 — II. Solar System - The Microphones // Mount Eerie (3:38)
K, P.W. Lever Um & Sunt Ltd.
Avant-Folk, Psychedelic Folk
—- Psychedelic Folk Expansion—-
After these releases from ‘The Microphones’, Psychedelic Folk expanded into various different avenues. Animal Collective and Panda Bear explored these dug-infused and neo-psychedelic and applied combined with a traditional acoustic guitar among other instruments, which created a uniquely creepy and beautiful sound. Heavy Water/I’d Rather Be Sleeping by ‘Grouper’ is an example of a gorgeous minimalist track that combines these soothing and slow ambient drone effects and traditional instruments and vocals. The next track ‘Fruitcake and Cookies’ by Sweet Trip blends technological ‘Glitch’ and ‘IDM’ styles, with traditional acoustic guitar and drums layered a over, around and under a gorgeous vocal performance by Valerie Cooper. The whole ‘Velocity : Design : Comfort’ record depicts a beautiful relationship between nature and technology.
2003 —Fruitcake and Cookies - Sweet Trip // Velocity : Design : Comfort (7:58)
Darla
IDM, Glitch Pop, Shoegaze
2004 — Leaf House - Animal Collective // Sung Tongs (2:43)
FatCat
Neo-Psychedelia, Freak Folk, Avant Folk
2007 — Take Pills - Panda Bear // Person Pitch (5:23)
Paw Tracks
Psychedelic Pop, Neo-Psychedelia
2008 —Heavy Water/I’d Rather Be Sleeping - Grouper // Dragging a Dead Deer Up a Hill (2:53)
Type
Ambient, Psychedelic Folk
—- Modern Psychedelic Folk & Conclusion—-
Recently, Psychedelic Folk has evolved into sounds within Dream Pop and Folktronica, including bands such as Sweet-Trip and Korean outfit Mid-Air Thief. Usually their sounds use acoustic string instruments sound that are manipulated; changing the pitch, or speed among other elements.These Sounds are combined with other technologically generated sounds to create psychedelic and dreamy soundscapes.
2009 — Milk - Sweet Trip // You Will Never Know Why (4:25)
Darla.
Dream Pop, Indie Pop, Indie Rock
2015 —Swamp - Mid-Air Thief // Gongjoong Doduk (6:19)
No Label
Psychedelic Pop, Psychedelic Folk, Avant Folk, Folktronica, Freak Folk
2018 —Crumbling Together - Mid-Air Thief // Crumbling (9:38)
Topshelf
Folktronica, Neo-Psychedelia, Psychedelic Pop, Psychedelic Folk
—- Genre Guide —-
Ambient - Ambient is a style that describes a large spectrum of music. Ambient music puts more emphasis on actual sound than musical structure, aimed at forming a particular atmosphere or mood with the help of conventional and unconventional instruments, sound clips, and sometimes vocal clips. Singing in ambient music can be done, although a good deal of ambient is instrumental.
Art Punk - Despite the genre having no clear definition or singular style, groups perceived as "art punk" are generally those that combine the stripped-down rock and roll style of punk rock with "arty" elements of Minimalism, instrumental interplay, elements of Traditional Folk Music of various cultures (as exemplified by the Afrobeat influence in Talking Heads' later music), experimentation with Jazz or Funk-inspired rhythms, dissonance, and noise experimentation (concepts largely originating in varieties of "art music" such as Modern Classical music, jazz, and Jazz Fusion).
Art Rock - The term art rock has been employed to describe several works of Rock music developed right after the 1960s Psychedelic Rock explosion. Following on the heels of this phenomenon, art rock has been the result of musicians developing an interest towards a handful of forms of music out of the boundaries of rock and, in general terms, making an attempt to break away as much as possible from the constrains imposed by Rock & Roll (or from the roots of rock itself, which, in turn, inspired genres like Blues Rock, Country Rock or U.S. Folk Rock). A non-musical factor that could explain this development is the conscious transition that certain rock (and non-rock) artists made from singles-based music towards a bigger development of the album as a cohesive lyrical and thematic whole (an important step towards the popularization of the so-called concept album) as shown by the 1966–1967 set of examples like Pet Sounds, Freak Out!, The Who Sell Out or Sgt. Pepper's Lonely Hearts Club Band (which can be counted as forerunners of later art rock).
Avant-Folk - Avant-Folk is a type of Contemporary Folk music that is more Experimental-influenced and less confined to conventional song structure or style, playing with instrumentation, rhythm, and other factors not commonly found in folk music.
Brazilian Folk Music - Brazilian folk music, just like Brazilian culture as a whole, arises from the interaction and mixture of Indigenous, African and European cultures, due to the historic processes of, first, colonisation and, later, independence from Portugal. Despite having its influence considered of minor importance by scholars, particularly those of the early 20th century, Indigenous American Traditional Music is present in all cultural regions of the country. Around five million Africans were brought to Brazil due to the Atlantic slave trade, and they brought with them their music, mainly West African Music and Central African Music. Since they were scattered around Brazil, often escaping captivity and forming independent communities named mocambos or quilombos, these different African traditions mixed among themselves and with different Indigenous traditions as well. European cultural influences came almost exclusively through Portuguese immigrants, at least until the period of strong immigration of other European peoples which began in the 19th century. The Portuguese did not just bring to Brazil their Portuguese Folk Music, but also other European Folk Music dances that had achieved popularity in Portugal, such as fandango, Polka and waltz, that would strongly influence Brazilian music eventually.
Caribbean Folk Music - A meta-genre that covers the different forms of Traditional Folk Music from the Caribbean.
Dream Pop - Dream pop is a genre characterized by an overall subdued atmosphere - from the vocals to the melodies - producing a dream-like, sleepy, or spacious feel. As the name suggests, songs are structured around traditionally Pop-sounding progressions, often with a steady though de-emphasized beat and vocals that are lower in the mix and possibly run through effects so as to offer a more ethereal feel.
Folk - Folk music is a very broad term used for music rooted in the mostly oral traditions of initially rather small social groups. The original context of folk music often was to accompany other types of social activities, like manual labour, religious rites or family gatherings. The eponymous, notoriously difficult "folk" or "people" concept can therefore relate to a number of different aspects: groups defined through ethnicities, tribes, nations, large regions, occupations, religions, families etc. may each serve as parameters for different folk musics (such as Indigenous American Traditional Music, Hill Tribe Music, Canadian Folk Music, Work Songs or East Asian Folk Music). It is used as a distinct category from the high art concept of Classical Music and comparatively modern forms of commercially distributed, written popular music (such as Pop or Rock).
Folktronica - Folktronica is a style of Electronic music which incorporates the sounds of acoustic instrumentation, with elements of Contemporary Folk or various Traditional Folk Music traditions and particularly the acoustic guitars and other stringed instruments central to these folk styles. These are commonly blended with the compositional sensibilities of IDM and Glitch-inspired editing and manipulation, as well as the tempo and atmosphere of Downtempo. Although electronic producers had experimented with using acoustic elements through the 1990s, the style would become prominent in the early 2000s as the term was coined to describe the early works of Four Tet and Manitoba, as well as groups like The Books and Tunng. Despite remaining underground, folktronica is stylistically diverse, with some artists using more traditional song structures or live instrumentation whereas others work exclusively with samples in a more experimental direction. However, folktronica in all its forms is unified by this blend of electronic and acoustic instrumentation and the textures that contrast provides.
Freak Folk - Freak folk is a type of Psychedelic Folk which emerged in the late 1990s and early 2000s among artists associated with the New Weird America movement. It draws from a wide range of influences, with a particular interest in 1960s hippie acid folk, the quirkiness of Indie Folk, other New Weird America bands, as well as elements of Traditional Folk Music. Freak folk tends to favour finger-picked instruments like acoustic guitar, ukulele or harp, as well as toy instruments, but it can also add electric or electronic instrumentation more typical of Rock music. Peculiar, vivid and idiosyncratic vocal styles are common, ranging from the plaintive, childlike singing of Joanna Newsom to the lonesome warble of Devendra Banhart and high harmonies of Animal Collective. Production-wise, freak folk songs can frequently be very lo-fi, but some artists opt for a lush and polished approach. Lyrically, the genre usually evokes mythical, pastoral and romantic themes.
Glitch Pop - Glitch pop is a niche and eclectic style of Indietronica that arose around the turn of the millennium. The genre typically retains indie sensibilities, frequently incorporating live vocals and instrumentation, Pop song structures, and a DIY attitude with a focus on consumer electronics. However, it is defined by its incorporation of newer forms of leftfield Electronic music, particularly the percussion and unconventional sound design of IDM (and Drill and Bass) as well as Glitch editing techniques similar to those found in Folktronica, as pioneered by Oval. Other common elements are the use of atmospheric, dreamy synth textures as found in Ambient Pop, Bitpop-inspired Chiptune-like synth leads, and the stuttery, syncopated breaks of Broken Beat. The use of clipped audio samples has also led to inspiration from and crossover with Mashup.
IDM - IDM (shorthand for intelligent dance music) is an Electronic genre that describes the sound of some musicians who sought to develop Electronic Dance Music's connotations beyond dance clubs into a more experimental direction. Despite its name, the genre is usually intended for home listening rather than dancing, with producers often utilizing complex fast-paced rhythms and unconventional sound design to create cold and mechanical atmospheres, even though simpler sound palettes with more melodic and soothing tones can still be present.
Indie Folk - Following the rise of the independent music scene in the 1980s, Indie Folk began to appear from various artists, combining the acoustic sounds of Contemporary Folk with the catchy melodies of Indie Rock. The genre began to reach new heights of popularity with the New Weird America movement in the early 2000s, particularly with artists such as Iron and Wine, Sufjan Stevens and Bright Eyes.
Indie Pop - Indie pop is a broad style of Pop that is characterized by its DIY ethos, lighthearted melodies, general Rock instrumentation and its overall “authentic” approach. Although it shares many characteristics with its stylistic counterpart Indie Rock, indie pop differs in that it features a more melodic and accessible sound with catchier production and does not strictly confine itself to rock idioms.
Indie Rock - Indie rock is a subgenre of Alternative Rock associated with a less mainstream-oriented sound and a DIY ethos to recording and production. It dabbles in Pop-informed songwriting and takes influences from sound palettes ranging from Contemporary Folk to Punk. Indie rock artists often embrace an autonomous approach to achieve a more "authentic" or raw sound and write their music alone without outside help.
Lo-Fi - Lo-fi emerged during the advent of the American underground scene in the 1980s as a raw, noisy style of Indie Rock. Its name stems from its use of low-fidelity production and recording equipment, giving it an unclean and distinctly ramshackle sound.
Neo-Psychedelia - Neo-psychedelia is a broad term referring to developments in Psychedelia since the early 1980s, building on the drug-inspired styles developed in the 1960s. The term initially referred to Post-Punk and Jangle Pop artists like The Soft Boys and The Church who brought in influence from Psychedelic Pop and Psychedelic Rock, combining clean electric guitars and pop songwriting with the use of reverb, distortion, or other effects. Through the decade, neo-psychedelia would parallel developments in Alternative Rock, including a mid-1980s scene in California known as the Paisley Underground, and a Space Rock Revival led by groups like Spacemen 3 and Loop. In the late 1980s, it would also contribute to the psychedelic sound of the Baggy scenes, which combined a surreal sonic environment with the upbeat rhythms of Alternative Dance and a drug-fueled rave culture, and was a major influence on Primal Scream's landmark 1991 album Screamadelica.
Noise Rock - Noise rock is a broad genre that encompasses Rock artists that incorporate a high amount of distortion and varying levels of dissonance, lo-fi production, and feedback. The most commonly used instruments are highly distorted guitars, both regular and bass, but additionally, bands often incorporate drum machines, electronics, tape-manipulated soundscapes, and noises to diversify their sound. Unconventional song structures are also often utilized.
Progressive Folk - Progressive folk refers to a genre that emerged alongside the rise of Progressive Rock in the UK and the USA during the late 1960s, developing at the end of the British and American Folk revivals of the period.
Psychedelic Folk - Psychedelic folk is a wide category of acoustic song forms that capture an aesthetic similar to that of other Psychedelia-based genres, with an atmosphere that is at turns dream-like, 'spaced-out', whimsical, haunting, mystical and melancholy. This is achieved using a variety of different methods and approaches, such as studio effects, tunings (including detuned instruments), affected vocal styles and discordant melodies. Inspiration is also sometimes drawn from various Regional Music traditions from around the world such as Hindustani Classical Music and medieval music, as well as light avant-garde influences from Drone and American Primitivism.
Psychedelic Pop - Psychedelic pop is a genre that bridges the musical elements of Psychedelic Rock, Psychedelic Folk, and Pop to bring them together. The sound produced is often intended to emulate the way music sounds while under the effects of psychedelic drugs. It differs from other psychedelia-related genres by emphasizing catchy pop hooks and vocal harmonies similar to Sunshine Pop. However, unlike sunshine pop, psychedelic pop always retains a quality of surrealism, usually achieved with abstract lyricism and/or the liberal use of tape effects like slapback echo, reverb, or flanging. The instrumentation itself somewhat follows that of Pop Rock, but in most cases, is supplemented by instruments considered unorthodox for pop recordings in the early-to-mid 1960s, such as theremin, zither, or tack piano.
Psychedelic Rock - Psychedelic rock is a style of Rock music which emerged in the mid-1960s that often attempts to emulate or enhance the way music sounds while under the influence of psychedelic drugs. Songs typically include heavily distorted and reverbed electric guitars, extended instrumental segments (especially guitar solos), augmented vocals, and drug-influenced lyrics. Other common characteristics include use of keyboards and elaborate studio effects like backwards recording. It is also not uncommon for psychedelic rock groups to incorporate prominent elements of other genres including Folk, Blues, Jazz, and South Asian Music.
Shoegaze - Shoegaze is a style of Alternative Rock that focuses on creating ethereal, noisy washes of sound, with bands utilizing various effect pedals, such as distortion, reverb, and delay. The guitars often reach overwhelming volumes, making the lyrics unintelligible and mainly applying vocals as another melodic layer. The genre's name was coined in a review of Moose's concert, where the lead singer read the lyrics taped to the floor during the show. The British press picked up the term and began using it regarding bands that stared at their pedals or guitars (often due to inexperience) while performing live.
Singer-Songwriter - The singer-songwriter genre is rooted in the traditions of the mediaeval bards and troubadours of the 15th & 16th centuries. This style of 'musical storytelling' was championed in the post-war era by Woody Guthrie, Dorival Caymmi and others, usually presented as one man and his guitar. In the US the sound evolved with the American Contemporary Folk scene of the 1950s and early 1960s where artists such as Bob Dylan and Pete Seeger began to write and play their own songs, whilst at the same time artists such as Georges Brassens, Joan Manuel Serrat, Gino Paoli, Víctor Jara and Chico Buarque were developing along similar lines in Europe and Latin America, leading to the development of genres like Liedermacher, Cantautori and Nueva canción and influencing Chanson.
Traditional Folk Music - Folk music is music based on particular regional folk traditions. Traditional elements, influences and instruments are the primary backbone of composition, although contemporary features may be present as well. Sub-genres of traditional folk music include genres deeply rooted in regional traditions, even if their modern incarnations may not be traditional as such.